Pride

Communitas is a Latin noun commonly referring either to an unstructured community in which people are equal, or to the very spirit of community. It also has special significance as a loanword in cultural anthropology and the social sciences.

Communitas is an intense community spirit, the feeling of great social equality, solidarity, and togetherness. Communitas is characteristic of people experiencing liminality together. This term is used to distinguish the modality of social relationship from an area of common living. There is more than one distinction between structure and communitas. The most familiar is the difference of secular and sacred. Every social position has something sacred about it. This sacred component is acquired during rites of passages, through the changing of positions. Part of this sacredness is achieved through the transient humility learned in these phases, this allows people to reach a higher position.

Communitas is an acute point of community. It takes community to the next level and allows the whole of the community to share a common experience, usually through a rite of passage. This brings everyone onto an equal level: even if you are higher in position, you have been lower and you know what that is.

Turner (1969, Pg.132) distinguishes between:
 * existential or spontaneous communitas, the transient personal experience of togetherness
 * normative communitas, communitas organized into a permanent social system
 * ideological communitas, which can be applied to many utopian social models

Communitas as a concept used by Victor Turner in his study of ritual has been criticized by anthropologists. See John Eade & Michael J. Sallnow's Contesting the Sacred (1991)

Communitas is also the title of a book published in 1947 by the 20th-century American thinker and writer Paul Goodman and his brother, Percival Goodman, who is less well-known, but a thinker in his own right. Their book examines three kinds of possible societies: a society centered around consumption, a society centered around artistic and creative pursuits, and a society which maximizes human liberty. The Goodmans emphasize freedom from both coercion by a government or church and from human necessities by providing these free of cost to all citizens who do a couple of years of conscripted labor as young adults.

In 1998, Italian philosopher Roberto Esposito published a book under the name Communitas challenging the traditional understanding of this concept. It was translated in English in 2010 by Timothy Campbell. In this book, Esposito offers a very different interpretation of the concept of communitas based on a thorough etymological analysis of the word: "Community isn't a property, nor is it a territory to be separated and defended against those who do not belong to it. Rather, it is a void, a debt, a gift to the other that also reminds us of our constitutive alterity with respect to ourselves." He goes on with his "deconstruction" of the concept of communitas: "'From here it emerges that communitas is the totality of persons united not by 'property' but precisely by an obligation or a debt; not by an 'addition' but by a 'substration': by a lack, a limit that is configured as an onus, or even as a defective modality for him who is 'affected', unlike for him whi is instead 'exempt' or 'exempted'. Here we find the final and most characteristic of the opposition associated with (or that dominate) the alternative between public and private. those in other words that contrast communitas to immunitas. If communis is he who is required to carry out the functions of an office―or to the donation of a grace―on the contrary, he is called immune who has to perform no office, and for that reason he remains ungrateful. He can completely preserve his own position through a vacatio muneris. Whereas the communitas is bound by the sacrifice of the compensatio, the immunitas implies the beneficiary of the dispensatio.'" "Therefore the community cannot be thought of as abody, as a corporation in which individuals are reflected in each other so as to confirm their initial identity; as a collective bond that comes at a certain point to connect individuals that before were separate. The community isn't a mode of being, much less a "making" of the individual subject. It isn't the subject's expansion or multiplication but its exposure to what interrupts the closing and turns it inside out: a dizziness, a syncope, a spasm in the continuity of the subject.